Two scary things, in honor of the holiday.

Kate MccGwire Secretions Art Instillation
1. From Shirley Jackson, a true master of horror writing and vastly underrated writer, the best way to begin a book:

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Shirley Jackson, The Haunting of Hill House

If you don’t have chills after reading that, go ahead and read the whole book. I’ll wait here. (Shirley Jackson is my all-time favorite author. I wrote my college thesis on her—and Poe and Toni Morrison. It was about ghosts in American literature… I was/am/will always be a nerd.) Kate MccGwire art installation of feathers

2. British sculptor Kate MccGwire makes wonderfully nasty and strangely beautiful art installations out of feathers. They’re textural and rich and oh-so-creepy. Plus, they all have fantastically horrifying names, like Secrete (top), Siren (second image) and Slick (below). Some of her other installation names include Purge, Gyre, Corvid and Specter. I love how her pieces feel both organic and naturally occurring, and utterly uncanny in the most Freudian sense. They’re a double gut-punch of pretty and creepy. See more here. Slick,+2010,+Kate+MccGwireHappy Halloween! 

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