You would enjoy this more if you were dead.

Kaja Rata ImageA few years ago, I had a period of exhausting confusion, a kind of general malaise that was dreary and slow but punctuated by these terrible migraines and even more terrible panic attacks. Everything felt overwhelming. The future seemed like this murky, gloomy thing. A fear monster. A poisoned well. A shadow place. In short, it sucked.

I’m not, like, over it by any means. I’m still an angsty person. I’m still prone to freak outs and night sweats. But slowly I’m coming together.

Anyway, during this shitty time, I went on a “how should a person be?” tour of my friends and colleagues. I asked basically everyone intrusive questions like, how should I exist in the world? how do you live in this universe without going crazy? how do you keep bad thoughts from taking over your life? who should I be and why and how? I got a variety of answers. Some of the best answers came from my friend Sophie. Other good thoughts came from a former professor, who had clearly been in that weird disorienting mental space before. He told me to ride it out, expect bad times, keep the faith that nothing ever stays for long.

But if I could send an email back in time to reach previous-Katy, I would send her two quotes. They’re both pretty much the same idea, just articulated differently.

First, via Brain Pickings, here is Amy Krouse Rosenthal’s advice on how to be grateful:

When I am feeling dreary, annoyed, and generally unimpressed by life, I imagine what it would be like to come back to this world for just a day after having been dead. I imagine how sentimental I would feel about the very things I once found stupid, hateful, or mundane. Oh, there’s a light switch! I haven’t seen a light switch in so long! I didn’t realize how much I missed light switches! Oh! Oh! And look — the stairs up to our front porch are still completely cracked! Hello cracks! Let me get a good look at you. And there’s my neighbor, standing there, fantastically alive, just the same, still punctuating her sentences with you know what I’m saying? Why did that bother me? It’s so… endearing.

Similar, but not quite, is this bit from Department of Speculation author Jenny Offil:

A thought experiment courtesy of the Stoics. If you are tired of everything you possess, imagine that you have lost all these things.

I’m going to hold onto these techniques for the next time I find myself feeling generally unimpressed by my life. I struggle to just “be grateful” for what I have. But I have no problem imagining the worst case scenario, the loss of everything, the complete and utter demolition of my own life. I’m great at that! This is positive thinking via negative imagining, and I can lean into it.

Image by Polish photographer Kaja Rata, part of a project about space exploration, Sputnik, and Eastern European culture. All her photographs are phenomenal, but this series just blows me away. 

Big city lion.

big city lionWhile on assignment in Spain, photographer Julia Werner found a starving dog blonde dog. She fed the skinny little guy and rescued him. She loved his big spirit, and so she made him a mane to match. Then they went out exploring Hapsburg. The resulting photo series is wonderful—whimsical and sweet. Poking around her website, I saw that she also photographs kids in super hero costumes, which is just so damn happy it hurts.

And with that, have a nice weekend, you big city lions.

I love Angela Deane’s joyful little ghosts.

ghost_joy_angela_deaneghost_joyGhost_Images_Angela_Deane_03My favorite images from Angela Deane‘s excellent series of ghost photographs (in which she takes vintage pictures and paints little white ghosts over all the people) have one thing in common: they all feature water. Perhaps that’s because swimming, for me, is such a joyful act, and these ghosts seem like oddly happy creatures, despite their featureless, faceless nature. Or maybe it’s because water has a strange, reality-bending property (as well as light-bending abilities) and ghosts inhabit that in-between place of real and not-real. Or maybe it’s because I’m craving summer and dying to shed some layers. Or maybe because it feels so irreverent, combining that spooky blankness with such standard images of All-American Summer Fun.

Or maybe who cares! Deane is a clever, funny artist with a great visual style and a wonderful collection of old photos to draw from (and upon!). See more here. 

Your wild is tame compared to these reindeer-riders.

05-mongolian-reindeerOne of my many 2016 goals is to get in touch with my wild side. I don’t mean my party-girl-stay-up-all-night self (no, I know that bitch well enough already, thanks) but my moss-sniffing, leaf-eating, earth-worshipping wild side. The side of me that revels in storms and licks the rainwater off my face. The side that dreams of bears and sleeps under the stars.

This part of myself is also loud and a little unruly. She feels everything and she reacts quickly. She knows her place in the world and loves it (she’s joyful, that wild girl). She’s dirty and willful and perhaps even sometimes a little obnoxious. But she doesn’t give a fuck. Because that’s what being wild is… to me, right now.

But as I write this, I am reminded of the actual wild folk on this planet, the people who live off the land for twelve months of the year. Compared to many people in this big world, I’m the tamest little shrew that ever lived, typing away on my laptop, safe in my bed, miles from any the real wilderness. In many ways, I have an easy life, a cushy one that allows me to grow fat on my butt and fingernails too long for manual labor.reindeerriders1

I know “easy” is relative. I know one way of living is not superior to another. I know I am romanticizing the nomadic, of-the-land lifestyle that many people lead by necessity. But I do think there’s something I can learn from listening to my wilder side. I think there’s a lot the earth can teach me; so many things the world has yet to reveal.

Today, I am gazing at pictures by Hamid Sardar-Afkhami, a Harvard-educated photojournalist and scholar with a Phd in Mongolian and Tibetan languages. He spent over a decade living in Tibet and the Himalayas, documenting the lives of nomadic tribes and herders. He captured women riding reindeer and men communing with bears. He documented a girl and her fawn and a boy gazing proudly at his trained eagle. He lived amongst these people, learned their habits, and depicts their wild lives with compassion, honesty, and just a little romance.

Mongolia_Reindeer_PhotographyThere’s nothing wild about looking at pictures on your computer screen, but it is very inspiring. Check out more of his work at MessyNessy or on his official website. 

By the light of the moon.

Darren Almond Full Moon PhotographyPhotographer Darren Almond uses the full moon to light his landscapes, and the results are otherworldly, frothy and strange, with muted colors and streaks of brightness as stars move across the sky. “With long exposures, you can never see what you are shooting,” said in an interview with The Guardian. “But you are giving the landscape longer to express itself.”Fullmoon-Quatrain700

Moonlight has always felt rather magical; I think it helps reveal things that are normally concealed. It shows the landscape at its softest, most vulnerable. Like people, who undress at night and slip under the covers, turning toward each other in quiet intimacy, the earth slowly disrobes as the moon rises, shedding layers of shadow and light until only the thing itself is left. You have to strain your eyes and open your apertures to see it. You have to wait. Steady, still.  Continue reading

Shooting the moon: early lunar photography.

First Photograph of the Moon This photograph is believed to be the earliest picture captured of the moon. The mirror-reversed daguerreotype was taken by Josh W. Draper from his rooftop observatory at NYC on March 26, 1840. Early Moon Photography by DraperHere is another one of Draper’s early moon pictures. (Photo by J. W. Draper/London Stereoscopic Company/Getty Images). According to this article, Draper wasn’t the first photographer to shoot the moon. Several Frenchmen may have beaten him to it, but he was the first photographer to capture it in any detail. He was also definitely the first to shoot a full moon, so he gets credit for that. First image of the far side of the moonThe Soviets beat us to the opposite side of the moon. This picture was captured by Zond-3, the second spaceship to view the far side of the lunar surface. Lots more here.First picture of the earth from th emoonOne of the first pictures of the earth shot from the surface of the moon. Via National Geographic: “This photo reveals the first view of Earth from the moon, taken by Lunar Orbiter 1 on August 23, 1966. Shot from a distance of about 236,000 miles (380,000 kilometers), this image shows half of Earth, from Istanbul to Cape Town and areas east, shrouded in night.”

Iceland is magic.

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2015 has been a strange year for me. It’s been a year of very high highs (engagement! book deal!) and very low lows (cancer. surgery.) and all the forward motion has my head whirling. So, I did what I always do in times of stress: I booked it outta there.

I’m writing this from Iceland. I’m staying in a little wilderness pod on a peninsula in western Iceland, about an hour or so north of Reykjavik. I’ve been to Iceland before, but I didn’t get to truly experience it. Now, I’m traveling abroad alone for the first time in my life and I love it. I’ve been here for less than 24 hours, but I’ve already swam in an outdoor public pool, took a sulfur steam bath, climbed to the top of Reykjavik’s highest church, tripped into a waterfall, and hiked over a Viking ruin. It’s a little lonely being here by myself, but in a way I really enjoy. I talk to myself. I eat what I want. I take naps in the car. I ignore all itineraries because the only one I need is in my own damn head.Andre_Iceland_photography
Anyway, for the next five days, I’m going to be bumming around the Icelandic countryside looking for hidden folk and snacking on delicious cheese. (Seriously, the cheese here is like nothing I’ve ever tasted—creamy beyond belief, flavorful yet mild. Mmmm I want more just thinking about it.)

In the meantime, please check out some of my previous Scandinavian-themed blog posts:

1. A post about “Friluftsliv” a rad Norwegian word that means connecting to nature, soaking in the wilderness, and feeling peace from green things.
2. Have you ever heard of the Jolabokaflood? It’s a holiday tradition that I think is absolutely BRILLIANT. (Also, did you know Iceland publishes more books per capita than any other country on earth?)
3. A little bit of imagery-inspired fiction (or to use a title I don’t really like, “Old Finnish People With Stuff On Their Heads)
Iceland areal shot
And finally, the pictures above are by the very talented photographer Andre Ermolaev. Seen from above, the Icelandic landscape is even more otherworldly (and trust me, it’s pretty surreal already). His photographs look like beautiful abstract paintings. He captures the natural beauty so wonderfully, with striking compositions and colors that really sing. Check it out.

Two nice things: a poem by Colleen McElroy and the fantastical photography of Cig Harvey.

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Sometimes the Way It Rains Reminds Me of You
Colleen J. McElroy

these days I speak of myself in the past tense
writing about yesterday knowing tomorrow
is no more than mist crawling toward violet mountains
I think of days when this weather meant you
were not so far away   the light changing
so fast I believe I can see you turning a corner
the rain comes in smelling of pine and moss
a kind of brazen intrusion on the careful seeds of spring
I pay more attention to details these days
saving the most trivial until I sort them for trash
or recycle   a luxury I’ve come to know only recently
you have never been too far from my thoughts
despite the newborn birds and their erratic songs
the way they tilt their heads as if dowsing for the sun
the way they repeat their singular songs
over and over as if wishing for a different outcome

Read that poem aloud. It is so beautiful—both in the lyrical language and the subject matter (I would like my life to smell like rain and pine and moss, please and thank you). Then, go look at these stunning images by Maine photographer Cig Harvey. Although we live in the same state, and have contributed to the same publications, I’ve never worked with Harvey. So far, I’ve just admired her work from a distance. Her photographs are rich with surreal, subtle magic. I dig it.

Hair as straight as sticks, dreams as frail as bog cotton, and eyes as big as plates.

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On the internet, this series of photographs has gotten a lot of attention under the headlines “Old Finnish People with Things on Their Heads,” which, while funny, really obscures the purpose of these strange pictures. The series is actually called “Eyes as Big as Plates,” a rather beautiful name, if you ask me. Originally inspired by Scandinavian folklore, the series has grown to cover people living in New York, Japan, and Iceland. It’s the creative work of photographers Karoline Hjorth and Riitta Ikonen and while I do think it’s peculiar and humorous, I also think it’s a wonderful depiction of human dignity, just people being people in their natural environments. Sure, we don’t typically adorn ourselves with windswept sticks and stand atop a cliff… but why not? It’s not like I do anything better with my days.

I might just be in sleepy fiction mode, but each piece feels like a writing prompt to me.

07_eyes_as_big_as_plates_agnes
Ilisia, the goddess of nightmares and daydreams, wonders whether she should claim credit for her most beautiful creation, the nightmare that incubated in an Englishman’s head until it was ready to spring forth, fully formed on Ilisia’s gracious loom, from his tingling fingers. Oh how she loathed the need for a human conduit! “Blow, winds, and crack your cheeks,” she whispers into the air, a fine mist of spit spraying from her cracked lips. “You cataracts and hurricanoes, spout, till you have drenched our teeples, drowned the cocks!” Her voice lowers to a rumble in her throat, barely audible, but the birds listen still: “Nothing will come of nothing.”

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Marvin lay down for a little rest in the wood behind his house. He thought he could find his way back easily—if not by sight, then by scent, for his wife Nona had been making Borscht when he left and the savory red smell lingered in the air. Sadly, when he awoke, he could smell no stew and see no house. All had aged, for faeries trick time and men who stray from the hearth are seldom mourned.

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“Who are you looking for?” the man asked. “Oh no, Lars is not here. I am Otso and I am a bear.” He took a piece of dried rabbit out of the pocket of his trousers and began to gnaw at it, making the most disgusting noises as he ground and gnashed his old man teeth. For a moment, his headdress slipped, and I’ll tell you this, my friends: He really did look just like Lars.

See more.

Fanciful work: Inside the studio with children’s illustrators.

Childrens_Book_Illustrators_Jake_Green
If you, like me, get the Sunday night blues, here’s something that might get you excited for the work week: inspiring photos of artists at work! Photographer Jake Green spent the past year documenting children’s illustrators in their studios and the results are intimate, sharp, and cool. The above picture is of Katja Spitzer, a Berlin-based artist, drawing one of her colorful creatures. (If you’ve got little ones, take note: her book Let’s Go Outside is so cheerful and bright, I bet kiddos would love it.) I always enjoy seeing how creative types work, and Green’s photographs make me feel like I’m peering through the window, spying on their process (but in a nice, admiring, non-creepy way… is that possible?) Take a closer look here.