Papercuts for The Bard.

romeoandjuliet_kevinstanton9Some people say that print is dead, but I’m not buying it—probably because I am buying books, and so are plenty of other bibliophiles. However, I do think publishing is changing, and one way I can see it adapting to the digitization of the writer word is through making books that aren’t disposable, that aren’t simply a collection of characters, but rather objects worth owning (and collecting). Plenty of publishers, both the big guys and the indie players, are releasing special edition copies of the classics that are straight up gorgeous. I’ve written about my adoration for the Barnes & Noble collaboration with typographer and artist Jessica Hische a few times before (enough that my mom took note, and bought me a box set for Christmas last year), but today I came across a new object of literary lust: Sterling Publishing’s Shakespeare collection, as illustrated by papercutting genius Kevin Stanton.

hamlet papercutJust look at Ophelia! It’s lovely and bold and sharp and fluid all at once. From what I can tell, the books have different color palates, from Hamlet‘s dramatic navy and red to the vibrant yellows of Much Ado About Nothing. If funds weren’t an issue, I would buy them all right now—especially Hamlet, because I’ve always had a soft spot for that faker.

Stanton_MA9Check out more of Stanton’s work here.

Advertisements

One thought on “Papercuts for The Bard.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s