I want to be a sketch.

too prettyI just finished reading Was She Pretty? a graphic novel by Leanne Shapton that explores one simple, jealous, unanswerable question. Was she pretty? We ask our current partners. Yes, they say, with only slight hesitation. “But she was…” mitigates it slightly. But you know. Of course she was pretty, otherwise he (or she) wouldn’t have loved her. She was pretty and a dancer and she cooked him thai food every night. She was pretty and a filmmaker who hated blockbusters and could quote Goddard. Most importantly, she simply was.

While reading it, I found myself thinking not at all about my boyfriend’s exes. I didn’t think of my ex’s either, and what they must be doing with their new, pretty girlfriends who probably love hiking and are too sophisticated for boxed wine. No, all I could think was: I want to be one. I want to be reduced to a simple, lovely sketch. I want some essence of Katy to be distilled into a black-and-white series of lines and a romantic, mysterious caption. John’s girlfriend Katy liked to drive in barefeet and cut-off shorts. She could roll a joint and smoke it without veering from the center line. (High school). Jake’s girlfriend Katy loved watching horror movies with him. Her skinny arms would wrap around his torso, hungry face hidden in his chest. He stroked her hair and never called her by her proper name. (Or later) Josh’s ex-girlfriend Katy worked best in her own bed and hated staying at his house. She had the most dexterous toes he had ever seen, and loathed it when he made his bed.

It’s fun. I don’t sound nearly as romantic as a ballerina or an aristocrat, but with the right sketch, I think I could make someone jealous. Or someone fall in love with my two-line personality, like I did reading Shapton’s words, again, and again.

Bryan Nash Gill turns trees inside-out.

bswoodc11“If you were a tree, what kind of tree would you be?” It’s a silly question, but I like to ask it. I think what people say is telling. I’ve noticed that some think they’re strong, solid trees (and often think in terms of furniture and the use of the wood), while my female friends are more likely to call themselves aspen, or birch, or even magnolias. I’ve always loved dogwood trees myself, but there is something wonderful about a tall, white pine. Or the vanilla-scented ponderosa pines. Trees tell stories, I think.

Judging by his work, Bryan Nash Gill probably has thought about my goofy, getting-to-know-you question. How could he not? His art works are so deeply inspired by trees, from his gallery installations and sculptures to his fantastic prints. He creates these images (like the one above) by covering a tree stump in ink, and placing the paper directly on the wood. It makes an imprint of the rings, of the entire history of a tree. It looks like a fingerprint, but it’s much better, for unlike our static prints, these uneven loops change and grow every year (that is, until someone cuts them down and looks inside).

While I like the tree prints best, he has a fantastic body of work. See more on his website.

Late to the party: Nick Knight’s “Flora”

Nick-Knight-FLORA-1-Fashion photographer Nick Knight has been making people gasp for years but I just got to know his work today, thanks to his book Flora. While his pictures of wilting waifs are gorgeous, I’m more drawn to his dripping flowers. They’re drenched with color, saturated with pinks and reds and purples and other colors that remind me of broken veins and beautified bruises. Darkly pretty, except they strike you as pretty first… the eerie feeling creeps in after looking at it a little too long.

It’s like his lovely, lovely photos of women sleeping. At first, they are sweet pictures, images of the body at rest. But then, when you imagine the position of the photographer, the place they must have stood, the voyeurism implicit in such a shot—then they become sinister. Fully realized in their power.

Weird, pretty, creepy, lovely. I like it.

I Like You: Some great (cheap) art prints.

I need more art on my walls, but purchasing originals is out of the question. Instead, I’ve become addicted to sites like 20X200 (now sadly defunct) and Society 6 to fill my visual hunger. Here are a few prints from Society 6 that I’m crazy about right now. I’ll probably buy one of them before the day is over…

society 6 horsesI’ve been eying this one for a very long time. How nice would it look blown up huge on a stretched canvas over my dark blue couch? Really nice. Winter Horseland by Kevin Russ.

Society 6 LayersThis is another one that I would want to order in the largest size possible. It feels a little bit abstract, but calm. Layers by Cameron Booth.

society 6 fawnThis little lady I would want teeny tiny, in a small white frame. If I had a kid, I would hang it in their room. So cute! Fawn by Emily Hamilton (her other work is great, too).

Society 6Summer RefelectionsThis is my favorite one. The problem is, I don’t want it in a frame. I want it huge! And they don’t offer it in larger sizes. It’s so dreamy and gorgeous. It seems like my bedroom is all green and gray, and this would be a nice touch of color. Summer Reflections by Oliviia Joy StClaire.

societysixdavidAnd last but not least is this image by David Fleck. I don’t know where it would fit in my house, but I love all his work. He has a great style, and a propensity for hot air balloons. I love hot air balloons. The Start of Something by David Fleck.

Rachael Rice’s dreamy work.

rachael riceWhen I was little, I used to make dreamcatchers all the time. I was obsessed with Native American mythology and culture. I read every book in our elementary school library on fairy tales, myths, and legends. I didn’t really like any other kind of book. I wanted to hear about the girl who married the moon, or the boy who turned into a bear.

I think that’s why I’m still so drawn to dreamcatchers. Though sometimes a little cheesy, they’re gorgeous when made right, and artist Racheal Rice does it right. She turns the dreamcatcher into a glorious mess of ribbon and beads. The woven center holds it all together, gives it a depth and geometric balance. I would love to have one of these hanging above my bed.

But I might need to settle for a dreamcatcher print. Society 6 has some nice ones…

The History of Pretty: The most beautiful sculpture I have never seen.

Bernini3If you asked me to name my favorite sculpture, the answer would be easy: Bernini’s Apollo and Daphne. While baroque painting was never my favorite—except Caravaggio, because it is impossible not to adore Caravaggio and his bloody, beautiful youths—baroque sculpture and architecture is truly amazing. And what Bernini could do with a slab of marble is particularly amazing.

bernini_apollo_and_daphne2Just look at the way her limbs change into trees! It’s like looking at music. It’s so poetic and deeply alive. This sculpture shows the culmination of the myth of Daphne, a river nymph (and thus a woman after my own waterlogged heart) who is chased by the god Apollo, who seeks to possess her after being hit with Cupid’s mischievous arrow. Daphne calls out to her father, the god Poseidon, and begs for some way to avoid the seemingly inevitable rape. He decides the best thing to do is to turn her into a tree, because this is before we had words for everything and dendrophilia hadn’t yet been invented. Bernini, like all baroque artists, seemed drunk with drama, and so he chose to depict the “couple” at the moment of her transformation.

Yes, it’s a statue of a woman escaping her rapist by becoming a plant. It is dark and a little terrible, but it’s also breathtakingly beautiful and amazingly detailed. I hope someday I get to see it in person.

Portland Pillow Fight Day.

I don’t often post about work on here, but I am particularly excited about the success of our first ever Portland Pillow Fight Day! For the past few months, I’ve been working on organizing and promoting the event (along with my awesome coworkers) and it was really satisfying to see it go off so well. I’m still really new to Maine, but I love it here so much—it’s the kind of place where Pillow Fight Day seems natural, a perfect fit for the community. Anyway, I was really happy to be part of it, and super proud of everyone who helped out. I was also REALLY psyched to see myself on camera being normal (and not a sweaty pile of nerves). Watch me talk about Pillow Fight Day at The Portland Press Herald.

Where the wild things are.

312033_415917278455577_1915020339_nI find it endlessly fascinating how people around the globe have created folklore and mythology that falls along the same basic narrative structures. People as beasts, beasts as people. Spirits that need to be appeased, and sacrifices that must be made. The dead who walk again, and the living who wander into the twilight land between. These stories are told again and again, from language to language and mouth to mouth. It’s beautiful, if you think about it. We’re all beasts, inside. Wild men, in the words of photographer Charles Freger.

02-portugal-lazarim-character-caretos-670Freger captures the wild men of Europe in their various costumes and headdresses. With a few simple materials, the human body is transformed into fantastical shapes, shaggy creatures of imagination and deep symbolism.

312090_415917238455581_1283995928_nLooking at his photographs, I find myself feeling an odd envy. I have never enjoyed Halloween and the skimpy outfits it seems to inspire, but I would love to turn myself into a fearsome (yet wooly) creature, a brute straight out of a fairytale.

Alternatively, it would be nice to go around Europe snapping pictures of these colorful rituals. Feed your own envy here.

Kiyoshi Mino makes furry friends from felt.

fox7I’ve probably mentioned my undying love for foxes on this blog before, but for good measure, I’ll say it again: If I had to choose a favorite animal, it would always (and forever) be the clever, wily fox. Once, when I was in college, I had a girl I worked with tell me that I reminded her of a fox because “you can be very cunning, and I bet you’re good at manipulating people.” I was kind of offended, but I have to admit, it was a little flattering, in a weird way. I like to think I’m nicer than that, but who knows? Maybe being a fox is a good thing.

As usual, I’m rambling about myself in order to introduce a very talented artist. Kiyoshi Mino is currently attending The Farm School down in Massachusetts (a place I had never heard of, but after googling it I immediately wanted to drop everything and enroll). It was there that he found his artistic medium: needle felt. He now creates detailed sculptures of animals out of wool. But as much as I want to snuggle them, they’re not stuffed toys. He sells his pieces for around $500 a pop. His menagerie includes a variety of fauna, both wild and domesticated. His portfolio includes owls, cranes, sheep, cats, donkeys, and other beasts.

Screen shot 2013-03-31 at 5.49.08 PMI admit, I don’t know much about needle felt, but it seems like a great technique. I really admire anyone who works with fiber arts, especially since it seems at once so traditional, and yet so modern.

Check out Mino’s website here, and be sure to read the “about” section. He’s lived a very interesting life.

Speaking of plants, let’s drink some…

Drunken-Botanist-high-resI think plants are just on my mind this week, seeing as it’s early spring and all. I spotted my first crocuses today when I was at a meeting up in Wiscasset today and I gave a tiny shout. My co-worker thought I dropped my coffee, but I was really just excited about FINALLY seeing a little flora in Maine.

I’m rambling a bit, and it’s probably because I’ve had a few glasses of wine, and while that didn’t exactly inspire me to post about Amy Stewart’s very cool sounding book, it does seem fitting, right? As I type this, I’m sipping at my own glass of alcohol and contemplating the grapes that made it, and all the many fruits and leaves and grains that go into a truly fantastic cocktail. In The Drunken Botanist, Stewart chronicles the vast variety of plant life that has been transformed by our greedy hands into creative libations and delicious intoxications.

Oh, and because I can’t not mention this fact, it’s a beautiful book with truly awesome typography. I should probably buy it for my boyfriend, who could frequently be described as a drunken botanist (when he’s not busy being a “mad scientist”).

Learn more here.